We have also moved on to other big printmaking projects:
Friday 30 October 2020
Sunday 21 February 2016
Highlands University Exhibitions
The print shows covered two galleries at Highlands University in Las Vegas, New Mexico -- for the Print, Printed, Printing 4 print conference -- Kennedy Gallery, for the New Mexican printmakers, and Burris Hall.
Ren Adams has a blog post about the previous mini-print conference -- Print, Printed, Printmaking III
Kennedy Gallery
Feb 13 - March 20th
Trevor Lucero (Santa Fe)
"Lover's Leap"
lithography,
(the large print)
Chris Bardey (Las Cruces)
"City Dweller Meets Wildlife"
relief with pastel,
relief with pastel,
is in the Desert Triangle Print Carpeta
Abby Mattison (center piece and others)
also had a print
in the YayBig Print Exchange
submitted this print
"Prone"
to the YayBig Print Exchange
Burris Hall
Tanya Rich's (Tucson)
"Receive the Desires of Your Heart,"
serigraph from woodcut.
She is in the Desert Triangle Print Carpeta
Framed prints:
"Foothills Ride" by Henry Morales, woodcut (Albuquerque)
"Lastima Margarito" by Francisco Delgado, linoleum cut (El Paso).
Both artists are in the Desert Triangle Print Carpeta
“Roadside Gambler”
by Karsten Creightney (Albuquerque)
relief print
relief print
"Chulada" by Krrrl (Albuquerque),
serigraph.
He is in the Desert Triangle Print Carpeta
Ray Drew Gallery
(in student library building)
Modern European Prints:
Works by Marcel Gromaire, Alberto Giacometti, Marc Chagall & Joan Miro
January 12 – February 13, 2016
Alberto Giacometti
"Portrait of a Man"
Tathagata Coffee
Santa Fe
We also hung three framed pieces at Tathagata Coffee in Santa Fe, run by Trevor Lucero, whose print is being exhibited at Highlands Univeristy (see Kennedy Hall above).
- "Skull Candy" -- Marogon
- "Grody Scout" -- Joe Marshall
- "Speedway" -- Danny Martin
See also related posts:
Saturday 20 February 2016
Print Demos at Highlands University -- second day
The second day (Feb 20, 2016) of the Print, Printed, Printing 4 print conference continued with an impressive series of demos:
Wood Lithography
Yoshiko Shimano showed us how to do wood lithography on a etching press. This technique was developed in Japan. One has to coat the wood first with casein; then he has to draw the image with a Solid Marker. Then he applies gum arabic on the whole surface. One can even carve into the wood, combining relief and intaglio printmaking techniques under one roll of the press.
Solid Marker
to be applied to the wood panel
Yoshiko Shimano
also used a Japanese water color technique
as an alternative way to ink the board
Paper Play
what you might do with prints
Cerese Vaden showed us how to make paper portfolio holders, and other amazing complicated tricks for print presentation and storage.
Intaglio Crayon Lift Ground
Mark Ritchie showed us how to draw on a copper etching plate, with water soluble Korn's litho crayons, to make an etching. If one is going to make thick lines, he must aqua-tint the plate first. The grounds are then applied on top of the drawn image, and placed in water (?) like a sugar-lift.
Plate with drawing on it
Scott Frish
Viscosity Intaglio and Monotype
Scott Frish showed us how to make multi-colored monoprints, under one roll of the press. The trick is to apply layers of ink, from stiffer to looser viscosity. Moreover, the first rolled ink, is the stiffest, using a softer roller. The subsequent ink is looser, with a harder roller. The key is "loose over stiff."
Note bag of Magnesium Carbonate in foreground,
to make ink stiffer
See also related posts:
- Print, Printed, Printing IV
- Print Demos at Highlands University -- first day
- Highlands University Exhibitions
Ren Adams has a blog post about the previous mini-print conference -- Print, Printed, Printmaking III
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